halloween 1978 theme

[104] Over the ensuing years, Anchor Bay re-released the film on DVD in various editions; among these were an "extended edition," released in 1999, which features the original theatrical release with the scenes that were shot for the broadcast TV version edited in at their proper places. "[22] Carpenter's experience inspired the characterization that Loomis gave of Michael to Sheriff Brackett in the film. "[128], The dangers of suburbia is another major theme that runs throughout the film and the slasher genre at large: Pat Gill states that slasher films "seem to mock white flight to gated communities, in particular the attempts of parents to shield their children from the dangerous influences represented by the city. Even without considering the third film, the Halloween series contains continuity issues, which some sources attribute to the different writers and directors involved in each film.[156]. Pauline Kael wrote a scathing review in The New Yorker suggesting that "Carpenter doesn't seem to have had any life outside the movies: one can trace almost every idea on the screen to directors such as Hitchcock and Brian De Palma and to the Val Lewton productions" and claiming that "Maybe when a horror film is stripped of everything but dumb scariness—when it isn't ashamed to revive the stalest device of the genre (the escaped lunatic)—it satisfies part of the audience in a more basic, childish way than sophisticated horror pictures do. "[84] Susan Stark of the Detroit Free Press branded Halloween a burgeoning cult film at the time of its release, describing it as "moody in the extreme" and praising its direction and music. In addition to the film's critical and commercial success, Carpenter's self-composed "Halloween Theme" became recognizable apart from the film. [69], The soundtrack was first released in the United States in October 1983, by Varèse Sarabande/MCA. "[87] Lou Cedrone of The Baltimore Evening Sun referred to it as "tediously familiar" and whose only notable element is "Jamie Lee Curtis, whose performance as the intended fourth victim, is well above the rest of the film. Stereo Remix Engineer – Alan Howarth. Songs start at $0.99. "[81], The Los Angeles Times deemed the film a "well-made but empty and morbid thriller,"[83] while Bill von Maurer of The Miami Times felt it was "surprisingly good," noting: "Taken on its own level, Halloween is a terrifying movie—if you are the right age and the right mood. It has never been the theme in a film. "[144], A mass market paperback novelization of the same name, written by Curtis Richards (a pseudonym that was used by author Richard Curtis), was published by Bantam Books in 1979. The opening from Halloween (1978). Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. "[11] By Hill's recollection, the script took three weeks to write,[20] and much of the inspiration behind the plot came from Celtic traditions of Halloween such as the festival of Samhain. [11][68], Some songs can be heard in the film, one being an untitled song performed by Carpenter and a group of his friends who formed a band called The Coupe De Villes. [131], Michael is thought by some to represent evil in the film. He liked Black Christmas and may have been influenced by it, but in no way did John Carpenter copy the idea. The new scene had Laurie's hair hidden by a towel, since Curtis was by then wearing a much shorter hairstyle than she had worn in 1978. Unsurprised, he stares off into the night as Laurie begins to sob. "[37], Another relatively unknown actress, Nancy Kyes (credited in the film as Nancy Loomis), was cast as Laurie's outspoken friend Annie Brackett, daughter of Haddonfield sheriff Leigh Brackett (Charles Cyphers). [60] Local families dressed their children in Halloween costumes for trick-or-treat scenes. By submitting, you agree to receive donor-related emails from the Internet Archive. "[88] Tom Allen of The Village Voice praised the film in his November 1978 review, noting it as sociologically irrelevant but ceding its Hitchcock-like technique as effective and "the most honest way to make a good schlock film". [57] Filming locations included South Pasadena, California; Garfield Elementary School in Alhambra, California; and the cemetery at Sierra Madre, California. He knows Michael is coming back to Haddonfield, but by the time the town realizes it, it'll be too late for many people. "[135] Roger Ebert remarks, "It's easy to create violence on the screen, but it's hard to do it well. He originally wanted to cast Anne Lockhart, the daughter of June Lockhart from Lassie, as Laurie Strode. Second, he told me he didn't want to take any fees, and that showed he had confidence in the project". After the negative critical and commercial reception for Season of the Witch, the filmmakers brought back Michael Myers in Halloween 4: The Return of Michael Myers. Carpenter is uncannily skilled, for example, at the use of foregrounds in his compositions, and everyone who likes thrillers knows that foregrounds are crucial . [48] Moran was paid $250 for his appearance. [132] Myers was raised in a suburban household and after he escapes the mental hospital he returns to his hometown to kill again; Myers is a product of the suburban environment. Audiences have been heard screaming at its horrifying climaxes". [18][64] It took Carpenter three days to compose the entire score for the film. There's always a house down the lane that somebody was killed in, or that somebody went crazy in. To Carpenter, keeping the audience guessing was better than explaining away the character with "he's cursed by some..."[31], Carpenter has described Halloween as: "True crass exploitation. Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Donald Pleasence and Jamie Lee Curtis in her film debut. Donald Pleasence as Doctor Samuel LoomisJamie Lee Curtis as Laurie StrodeNancy Loomis as Annie BrackettP. [148] In another effort to save money, most versions of the game did not even have a label on the cartridge. Early VHS versions were released by Media Home Entertainment. He repeatedly sets up anticipation of a shock and delays the shock for varying lengths of time. [111] In September 2014, Scream Factory teamed with Anchor Bay Entertainment to release the film as part of a Blu-ray boxed set featuring every film in the series (up to 2009's Halloween II), made available as in a standard and limited edition.[112]. Akkad worried over the tight, four-week schedule, low budget, and Carpenter's limited experience as a filmmaker, but told Fangoria: "Two things made me decide. Tons of awesome Halloween movie wallpapers to download for free. One was labeled "1981" suggesting that it was additional footage for the television version of the film. [4] It grossed $1,270,000 from 198 theatres across the U.S. (including 72 in New York City and 98 in Southern California) in its opening week. [141][142] Due to its popularity, Halloween became a blueprint for success that many other horror films, such as Friday the 13th and A Nightmare on Elm Street, followed, and that others like Scream satirized. Record Label: Columbia. The killer stands speechless on the lawn, holding the bloody knife, a small boy in a satin clown suit with a newly-returned parent on each side shrieking in an attempt to find out what the spectacle means.[85]. A new documentary was screened before the film at all locations, titled You Can't Kill the Boogeyman: 35 Years of Halloween, written and directed by HalloweenMovies.com webmaster Justin Beahm. Jamie Lee Curtis was initially interested in the … [55][56] Much of the filming was completed using a Steadicam, a then-new camera that allowed the filmmakers to move around spaces smoothly. [33] Christopher Lee was approached for the role; he too turned it down, although the actor later told Carpenter and Hill that declining the role was the biggest mistake he made during his career. [153] He, along with Alan Howarth, also composed the music for the second and third films. "[67] In the end credits, Carpenter bills himself as the "Bowling Green Philharmonic Orchestra" for performing the film's score, but he did receive assistance from composer Dan Wyman, a music professor at San José State University. Loomis shoots Michael six times, knocking him off the balcony. For example, the novel's version of Michael speaks during his time at the sanitarium;[146] in the film, Dr. Loomis states, "He hasn't spoken a word in fifteen years. Michael then poses as Bob in a ghost costume and confronts Lynda, who teases him to no effect. Carpenter tried to keep the audience guessing as to who Michael Myers really is—he is gone, and everywhere at the same time; he is more than human; he may be supernatural, and no one knows how he got that way. "[11] Many of the actors wore their own clothes, and Curtis' wardrobe was purchased at J.C. Penney for around $100. At a Flagship Theatre near you". [91] Once-dismissive critics became impressed by Carpenter's choice of camera angles and simple music, and surprised by the lack of blood and graphic violence. [11] Homage is paid to Alfred Hitchcock with two characters' names: Tommy Doyle is named after Lt. Det. ", In 1983, Halloween was adapted as a video game for the Atari 2600 by Wizard Video. He later got a call back and was told he had got the part. This idea is demonstrated in the film when Dr. Loomis discusses Michael's history with the sheriff. It begins exactly where Halloween ends and was intended to finish the story of Michael Myers and Laurie Strode. And when John came up with this fable of a town with a dark secret of someone who once lived there, and now that evil has come back, that's what made Halloween work. "Don't Fear the Reaper" by The Blue Oyster Cult is heard on the radio twice, right before Judith Myers and Lynda are killed. After viewing Carpenter's film Assault on Precinct 13 (1976) at the Milan Film Festival, independent film producer Irwin Yablans and financier Moustapha Akkad sought out Carpenter to direct a film for them about a psychotic killer that stalked babysitters. Halloween_1978_Theme 1 - Halloween 1978 Theme . [70], Halloween premiered on October 25, 1978, in downtown Kansas City, Missouri, at the AMC Empire theatre. They … [14] He and his then-girlfriend Debra Hill began drafting a story originally titled The Babysitter Murders. comment. The film was released by Lionsgate Home Entertainment in an Ultra HD Blu-ray and Blu-ray edition for the film's 40th anniversary. Addeddate 2010-09-15 00:42:34 Identifier Halloween_1978_Theme. [123], Other feminist scholars such as Carol J. Clover argue that despite the violence against women, Halloween and other slasher films turned women into heroines. The best tracks on this soundtrack are the Halloween Theme, Laurie's Theme, Michael Kills Judith, The Haunted House, The Shape Lurks, and The Shape Stalks. Halloween (1978) Directed by: John Carpenter Starring: Donald Pleasence, Jamie Lee Curtis, Nancy Loomis, P.J. The song is heard as Laurie steps into Annie's car on her way to babysit Tommy Doyle. The newly filmed scenes include Dr. Loomis at a hospital board review of Michael Myers and Dr. Loomis talking to a then-6-year-old Michael at Smith's Grove, telling him, "You've fooled them, haven't you, Michael? I can only imagine the result if they hadn't painted the mask white. [30] There, he visited a ward with his psychology classmates where "the most serious, mentally ill patients" were held. Primarily praised for Carpenter's direction and score and Curtis's performance, many credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960) and Bob Clark's Black Christmas (1974). Believe me, I'm not. Despite the fact that Loomis saves Strode, Clover asserts that Halloween initiates the role of the "final girl" who ultimately triumphs in the end. The shot slowly moves closer and closer. Halloween popularized many tropes that have become completely synonymous with the slasher genre. [122], The film has often been cited[by whom?] Michael gets in and attacks her again, but she keeps him at bay by stabbing him with a knitting needle, a coat hanger, and his own knife, temporarily knocking him out each time, then tells Tommy and Lindsey to go to a neighbor's house down the street and have them call the police. [34] Yablans then suggested Pleasence, who agreed to star because his daughter Lucy, a guitarist, had enjoyed Assault on Precinct 13 for Carpenter's score. Will Sandin played the unmasked young Michael in the beginning of the film. [143], There are slasher films that predated Halloween, such as Silent Night, Bloody Night (1972), The Texas Chain Saw Massacre (1974) and Black Christmas (1974) which contained prominent elements of the slasher genre; both involving a group of teenagers being murdered by a stranger as well as having the final girl trope. HD wallpapers and background images [24] The low budget limited the number of big names that Carpenter could attract, and most of the actors received very little compensation for their roles. [11] Another song, "(Don't Fear) The Reaper" by classic rock band Blue Öyster Cult, appears in the film. [97], Many compared the film with the work of Alfred Hitchcock, although TV Guide calls comparisons made to Psycho "silly and groundless"[98] and some critics in the late 1980s and early 1990s blamed the film for spawning the slasher subgenre, which they felt had rapidly descended into sadism and misogyny. The next day on Halloween, high school student Laurie Strode drops off a key at the still unoccupied and dilapidated Myers home her father is trying to sell. [11] The role of Dr. Loomis was originally intended for Peter Cushing, who had recently appeared as Grand Moff Tarkin in Star Wars (1977); Cushing's agent rejected Carpenter's offer due to the low salary. I did a film about three years later, started a film with John Carpenter, it was his first film for Warner Bros. (which picked up Black Christmas), he asked me if I was ever gonna do a sequel and I said no. She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends. [78], In August 2006, Fangoria reported that Synapse Films had discovered boxes of negatives containing footage cut from the film. evil." More than once during the movie I looked around just to make sure that no one weird was sitting behind me. Moran was a struggling actor before he got the role. [27][15] Sheriff Leigh Brackett shared the name of a Hollywood screenwriter and frequent collaborator of Howard Hawks. Agreeing with Laurie that Michael is the "boogeyman," Loomis walks to the balcony and looks down to see that Michael has vanished. as an allegory on the virtue of sexual purity and the danger of casual sex, although Carpenter has explained that this was not his intent: "It has been suggested that I was making some kind of moral statement. MOVIE:Halloween (1978) by John Carpenter. Clover believes that killers in slasher films are fueled by a "psychosexual fury"[129] and that all the killings are sexual in nature. "[136] Carpenter's first-person point-of-view compositions were employed with steadicam; Telotte argues, "As a result of this shift in perspective from a disembodied, narrative camera to an actual character's eye ... we are forced into a deeper sense of participation in the ensuing action. [44] After Halloween, Castle became a director, taking the helm of films such as The Last Starfighter (1984), The Boy Who Could Fly (1986), Dennis the Menace (1993), and Major Payne (1995). [66] Carpenter stated in an interview, "I can play just about any keyboard, but I can't read or write a note.

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